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Chapter 3 - The Broken Pedestal

By ten-thirty that morning, Nadine was standing in the cavernous, vaulted reception hall of Whitmore Estate.

The limestone floors were bare. The antique wrought-iron chandeliers hung cold and unlit. In the center of the grand ballroom, where six dozen tables draped in imported French linen were supposed to stand, there was only empty space and the faint scent of lemon oil.

Celeste Bird stood behind the mahogany concierge desk, an open ledger before her. She didn't look angry; she looked weary.

"Celeste, please," Nadine begged, her eyes red-rimmed behind expensive designer sunglasses that she pushed up onto her dark hair. "There has to be a mistake. Dad is just upset. He’s emotional. He’ll fix it by this afternoon. You can't just release our date!"

"Nadine, dear," Celeste said gently, her tone professional, polite, and completely unyielding. "Your father didn't make a scene. He didn't issue threats. He sent a formal, notarized cancellation letter signed by the sole guarantor of the contract, accompanied by a wire transfer covering our full twenty-percent liquidated damages fee."

"He didn't have the right!"

"His name is the only name on line forty-two," Celeste pointed out, tapping the parchment with a manicured finger. "Your name is listed under 'Honored Guest.' Philip’s name is listed under 'Honored Guest.' Neither of you has financial standing with Whitmore Estate."

"We can sign a new contract! Philip's father will guarantee it!"

Celeste looked at the clock on the antique mantelpiece. "The wedding is in twenty-nine hours, Nadine. Under estate bylaws, any emergency re-booking within forty-eight hours requires a full, non-refundable deposit paid via certified cashier's check or cleared wire transfer before setup crews are dispatched. That comes to thirty-one thousand dollars for the venue and grounds alone. Has Mr. Harmon wired the funds?"

Nadine pulled her phone from her purse, staring at the blank screen. "He’s... he’s in meetings. He’s taking care of it."

"Then the moment those funds clear our SunTrust account, my staff will start hauling tables," Celeste said softly. "Until then, my crew is setting up for the Richmond Historical Society's Sunday banquet. I have twelve people on payroll whose mortgages depend on guaranteed money, Nadine. Your father knows that. That’s why he made sure their hours were covered when he canceled."

Nadine swallowed hard, her mouth suddenly dry. "Dad paid your crew?"

"Your father has hosted his company’s winter gala here for six years," Celeste said, her gaze steady and piercing. "Every December, he brings three hundred mechanics, warehouse packers, and drivers into this room. They wear their Sunday suits. He pays for an open bar, top-shelf prime rib, and tips my servers fifty percent above standard gratuity. When the pandemic hit and we were two weeks from shuttering this estate for good, Walt Callaway paid for two years of corporate reservations in advance. He didn't ask for a discount. He asked if my dishwashers had health insurance."

Celeste closed the ledger with a quiet, decisive thud.

"Your father is a prince of a man, Nadine. You’d do well to remember where the shoes on your feet came from before you let the Harmons convince you he belongs in the scullery."

Nadine backed away from the desk, her face pale, the sting of Celeste’s words burning hotter than any lecture her mother had ever given her.

She fled out the heavy double doors into the gray mist, climbed into her Audi, and drove straight to Baxter Hollis’s flower shop on Cary Street.

Baxter was in the back workroom, surrounded by buckets of white calla lilies, baby’s breath, and English garden roses—all tagged with blue tape reading *CALLAWAY / CANCELLED*.

"Baxter," she cried, stepping over discarded stems on the wet concrete floor.

Baxter looked up from a half-finished wreath. He was sixty-two, wore a stained canvas apron, and had calluses thick enough to strike a match on. He took off his reading glasses and looked at her with an expression that made Nadine want to shrink into the floorboards.

"Hello, Nadine."

"Baxter, you can't cancel the arrangements. You’ve known me my whole life! You did my corsage for junior prom!"

"I did," Baxter said quietly. "And your father paid for it. Just like he paid for the flowers for your graduation, your twenty-first birthday, and your mother’s garden club luncheons when she was trying to impress the Junior League."

"This is my wedding day!"

"And Walt is your father," Baxter said, his voice dropping into gravelly disappointment. "He called me yesterday afternoon, Nadine. Do you know what he said? He said, *'Baxter, the kids are going in another direction, but I won't have you taking a loss on the stock you ordered.'* He paid my full invoice. Every single stem. He told me to donate the flowers to St. Jude’s or the retirement home on Monument Avenue."

Baxter pointed a thick, thorn-scarred finger at the wall of blooming white roses.

"That’s ten thousand dollars of perishable inventory sitting there. Most men would have sued me or put a stop-payment on the credit card. Walt paid it in cash because he’s a man of honor. And you uninvited him?"

"Philip’s mother said it was too crowded—"

"Philip’s mother wouldn't cross the street to spit on you if you were on fire, girl!" Baxter snapped, his temper finally breaking through his quiet demeanor. "Sylvia Harmon came in here six months ago and spent three hours sneering at my glassware, telling me she usually imports her florists from Charleston. She only used me because Walt told her he’d only pay local vendors."

Nadine froze. "What?"

"Walt insisted on keeping every dime of that wedding budget in Richmond. With people he knew. People who worked for a living." Baxter shook his head, turning back to his wreath. "Go home, Nadine. Go home to your fiancé and his high-society mother. Tell them the flowers are right here. All they have to do is write the check."

"Baxter, please..."

May you like

"I have work to do," the old florist said, refusing to look at her again. "Leave the door closed on your way out. The draft is bad for the lilies."

***

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