Chapter 3 - Thirty-Two Stitches and an Alibi

Detective Vance pulled the rolling stool Dr. Mercer had vacated closer to my gurney. He didn't look at me with pity; he looked at me with the calculating focus of someone who reconstructed tragedies for a living.
"Start from the beginning," Vance said, his pen hovering over the blank page. "Why you? Why the cake?"
I leaned my head back against the thin hospital pillow. Every pulse of my heart sent a dull, throbbing ache radiating across the left side of my skull. The anesthesia was already beginning to retreat, replaced by a deep, gnawing fire.
"Chloe and I... we haven't gotten along since we were kids," I began, my voice thick and dry. The nurse offered me a cup of water with a bent plastic straw, and I sipped it carefully through the uninjured right side of my lips. "Chloe is thirty. I'm twenty-seven. To our parents, Chloe was always the masterpiece, and I was the rough draft."
"Golden child dynamic," Vance noted without looking up from his pad. "Go on."
"My mother passed away two years ago from cancer," I continued, staring at the ceiling. "She left the family home—a brownstone in Brooklyn worth about 1.8 million dollars—entirely to me. Not to Chloe."
Vance’s pen stopped. His eyes drifted up to meet mine. "That's a massive motive, Ms. Linwood. Why did your mother cut Chloe out?"
"Because Chloe had already drained her," I said bitterly. "When Mom was sick, Chloe convinced her to co-sign three massive personal loans for a failed boutique PR firm Chloe was running. When the business folded, Chloe defaulted. Mom had to liquidate her entire retirement portfolio to keep the banks from taking the house. Mom was furious. Before she died, she updated her will. She gave Chloe five thousand dollars and a set of silver spoons. She gave me the house, along with a strict stipulation: the property could not be sold for five years, but if anything happened to me before that period ended, ownership transferred to Chloe."
The two uniformed officers near the door exchanged a quick, knowing glance. Detective Vance slowly tapped his pen against the pad.
"So if you died, or were declared incompetent, your sister inherited a multi-million dollar asset."
"Yes," I whispered. "Chloe contested the will for eighteen months. She dragged me through probate court. She accused me of elder abuse, of manipulating Mom on her deathbed. The judge threw her case out three months ago with prejudice. Chloe was furious. But then, completely out of the blue, she sent me an invitation to her wedding with Julian."
"Julian who?"
"Julian Sterling. He’s a partner at a mid-level private equity firm. Old money, or at least he pretends to be. Chloe’s been obsessed with him for three years. She told me she wanted to bury the hatchet. She asked me to be a bridesmaid. She said she didn't want our family's feud to cast a shadow over her new life."
"And you believed her?" Vance asked.
"No," I replied, the truth burning bitter in my throat. "I didn't believe her for a second. But my father... my father begged me. He said he couldn't bear to see his only two daughters estranged at Chloe’s wedding. He said if I didn't go, it would break his heart. So I went. I put on the dress. I smiled. I stayed in the background."
Vance nodded slowly, writing down names and details with rapid, shorthand strokes. "Tell me about the cake cutting. How did it happen?"
"It wasn't a standard cake cutting," I said, the memory replaying in sharp, terrifying fragments. "Julian picked up the knife, but Chloe didn't take it. She looked straight at me. She grabbed the entire top tier—it was huge, round, dense. She walked straight across the floor, laughed, said 'It's just a joke,' and smashed it into my face. The impact knocked me off my feet."
"Did she seem surprised when you started bleeding?"
I hesitated, thinking back to that exact second—the look in Chloe’s eyes right after the white frosting turned red.
"Her smile slipped," I admitted honestly. "She looked shocked for a fraction of a second. She took a step back. But she didn't come to help me. She didn't call for an ambulance. She just stood there. When I walked out of the room holding my face, she didn't even follow me."
"Did anyone else touch that cake before she did?" Vance asked.
"I don't know," I said. "The cake was brought out on a rolling cart about an hour after dinner. It sat near the dessert alcove. There were two hundred guests, waitstaff, caterers, photographers... anyone could have walked past it."
Vance closed his notebook with a soft, authoritative snap. He stood up, turning to the uniformed officers.
"Officer Davis, I want you to go down to the North Shore Country Club right now. If the reception is still going on, shut it down. Secure the dessert table. I want every crumb of that cake bagged as evidence, especially the remnants of that top tier. If the venue has already thrown it in the dumpster, secure the dumpster. Nobody touches the trash until Crime Scene reaches it."
"Yes, sir," the officer replied, immediately turning and exiting the room.
Vance turned back to me. "Maya, I’m taking this blade to the ballistics and forensics lab tonight. We're going to pull prints, check for DNA on the copper wire, and trace the manufacturing lot on that utility blade. In the meantime, I want you to go home with someone you trust. Do not go back to your apartment alone, and under no circumstances do you answer any calls or messages from your sister or your father."
"Detective," I said, my voice cracking slightly as the reality of the situation bore down on me. "Do you really think Chloe tried to kill me? In front of two hundred people?"
Vance adjusted his coat, his expression grim. "In my line of work, Ms. Linwood, I've learned that narcissists don't think like ordinary criminals. They don't plan for the police. They plan for the narrative. If she thought she could permanently disfigure you, blind you, or ruin your life while claiming it was an innocent wedding prank gone wrong, she might have thought she could get away with it."
He paused at the curtain, looking back at me with sharp, gray eyes.
May you like
"Or," he added quietly, "she didn't act alone."
***